| Song |
Description |
And is it Night?
Soprano
Alto
Tenor
Bass
|
Suggestive,
melodramatic four-parter, Robert Jones, 1609. |
| A Round of Three Country Dances in
One |
Very pleasing
four-part round, Ravenscroft. |
Adieu M'Amour
Soprano
Tenor
Bass |
A pensive three
part plaint by Alexandri Agricola, in oldish French. |
| Ah Robin |
A part-song
comparing two loves, by William Cornysh, from the 1550s. NB a "leman"
is not a fruit, but one's lover/mistress! |
| Alle Psallite |
A part-song from
1200s; in Latin; easy bass part; two other parts are the same with
phrases sung at different times |
April is in my Mistress' Face
Soprano
Alto Tenor Bass |
A stirring
four-part madrigal by Thomas Morley, 1594-1600, from 'Thomas Morley's
Madrigals for Four Voices' No 1, with an excellent second verse added
by a SCAdian. |
Arise My Dear
Top
Middle
Bottom |
Another wee gem
by Thomas Morley, in three parts, intended to steady the nerves of
Daphne on her wedding day. |
| Boar's Head Carol |
1521; in modern
English with a Latin chorus |
| Browning, Madame |
A lovely, simple
round. Ravenscroft ('Deuteromalia' 1609) |
Canon in the 5th and 9th
Soprano
Alto
Tenor
|
A simple
three-parter with pleasing harmonies, Jim Ives "Catches and Canons
book". |
| A Catch on the Midnight Cats |
A three-part
round written by Michael Wise (c. 1648-87); in modern English (SG7) |
Cease
Mine Eyes
Top
Middle
Bottom |
Thomas Morley
again, bewailing in three part harmony the delight his lady takes in
rebuffing him. |
Come Again
Soprano
Alto
Tenor
Bass
|
Four parts, John
Dowland (1562-1626). A song of deep devotion to a lady, which works
best with "maximum ham". May be impossible to sing the last verse with
a straight face (SG7). |
| Coventry Carol |
Four parts; said
to be 15th century, though possibly older; in modern English (SG7). |
CuCu
Soprano
Alto Tenor Bass |
Four-part 15th
century Spanish song about how not to be cuckolded |
Deo Gracias, Anglia
Soprano
Alto
Tenor
|
Three parts, from
a Medieval music collection, "Musica Britannica IV, 1952" (SG7). |
Depart, Depart
Soprano
Alto
Tenor Bass PDF score |
Four part
galliard from the court of Mary
Queen of Scots. This version is in reasonably modern English
and not 16C Scots. |
Dindiridin
Top
Middle
Bottom |
Three part bouncy
nonsense song, from the
Montecassino Codex 871 dated to 1459. |
| Edi Be-thu |
Easy two-part
song in Middle English, ca 1200 |
Fatal a Parte
Soprano
Alto
Tenor
Bass |
Four-part 15th
century Spanish song about Consequences for an errant wife and her
Spanish lover |
Fire-Fire
Soprano
Bass |
Two-parter by
Campion about desire. |
| Great Tom is Cast |
"Bell" round --
an easy three-part round in modern English |
Gaudete
Soprano
Alto
Baritone
Bass
PDF score
|
Four part Latin
(mostly) song hailing the Nativity of Christ - although this version
shows signs of some slippage in the language over time! |
| Green Grow'th the Holly |
Three parts, said
to have been written by Henry VIII; in modern English |
| He that will an Alehouse
Keep |
Thomas
Ravenscroft, 'Melismata' 1611. Lends itself to extra verses... |
| I Gave Her Cakes |
Cheerful melody
by Henry Purcell. |
Il Bianco Dolce Cigno
Soprano
Alto
Tenor
Bass
|
Jacques Arcade
(1504?-1568). A beautiful four-part song. |
In Dulci Jubilo
Soprano
Alto
Tenor
Bass
PDF score
|
14th C carol, in
Latin and German. This is a 1601 harmonisation, so it's approximately
in period. For the hard-of-german, here is a score with lyrics
in phonetic English. |
Jack and Jone
Soprano
Bass
|
A cheeky cheerful
two-parter (or is it more?) from Thomas Campion. |
| Je Nuns Hons Pris |
With sarcastic
counterpoint. Written by Richard Coeur-de-Lion (1157-1199), while
impatiently awaiting his ransom. |
Martin Said to His Man
Soprano
Alto
Tenor
Bass
|
Thomas
Ravenscroft, 'Deuteromalia' 1609. Overworn as a one-track but lovely in
these four parts. |
| Miri It Is |
Dated to 1220;
two parts with the harmony being a simple drone; in Middle English (SG7). |
| My Love Hath Vowed |
Two part song; in
modern English (SG7). |
| Noel Merrily On High |
Nice four-part
variant on an old favourite; in modern English. The tune is used for
the Official Bransle. |
| Oh How Lovely |
"Bell" round --
an easy three-part round in modern English |
O My Hart
Soprano
Alto/Tenor
Bass
|
Short and
melancholy piece by Henry VIII. Adaptable to multiple occasions by
suitable word changes. |
| Pase el Agoa |
(PDF) A very
pretty four-part Spanish song from the Cancionero de Palacio, c.1490 |
Pastime
with Good Company
Top Bass |
Two or three part
song by Henry VIII.
Only top and bottom parts are here at the moment. |
| Pox on You! Verse 1 Verse 2 Verse 3 |
Very earthy
three-part round, best sung with phartophone. Henry Purcell, 1578 |
| See Now |
A piece composed
by Master Crispin Sexi for the reign of King AEdward I and Queen
Yolande of Lochac, A.S. 38 |
| Se Jay Parle |
A three-part
French ditty about what nuns are not getting up to, honest. Also in PDF form. |
Sigh No More, Ladies
Soprano
Bass
|
Patrick Doyle,
written for the Branagh film verson of "Much Ado about Nothing". |
Since First I Saw Your Face
Soprano
Alto
Tenor
Bass
|
Four parts, from
Musicke of Sundrie Kindes, 1607 |
Sing We and Chant it
Soprano
Alto
Mezzo
Tenor
Bass
|
Five parts, from
The first booke of balletts to five voyces by Thomas Este 1595 |
Southron Gaard
(aka Long may She Stand or Rollynge Hylls
of Grene) |
A
marching song
commissioned from Master Crispin Sexi by Mistress Roheisa le Sarjent,
A.S. 40 (SG7). |
Spring
Catch
Top
Middle
Bottom |
A springy three
part song about Spring, in oldish English, by Lady Elen Benet. |
| Steadfast |
A paen for the
reign of King AEdwarde Staedfaste II and Queen Yolande II, by Master
Crispin Sexi, A.S. 40 |
Stella Splendens in Monte
Soprano
Bass
|
Complex and
interesting two-parter from the Red Book of Monserrat C14th |
| Stephen & Mathilde |
A catch composed
by Master Crispin Sexi for the reign of King Stephen and Queen Mathilde
of Lochac; requires careful attention to timing; in modern English with
a Latin ground. |
| Sumer is Icumen |
Middle English
round, said to be the oldest recorded English secular song; in Middle
English |
Sweete Kate
Soprano
Alto
Tenor
Bass
|
Works well in two
reasonably easy parts and/or with four; from Robert Jones A Musicall
Dreame or the Fourth Booke of Ayres 1609; witty and evil; in modern
English |
| The Bell doth Toll |
"Bell" round --
an easy three-part round in modern English |
| Tempus adest Floridam |
1582, from Piae
Cantiones; in Latin; the tune is better known by its Victorian use as Good
King Wenceslas |
Time Stands Still
Soprano
Alto
Tenor
Bass
|
In four part
harmony, John Dowland (1562-1626) explains how gazing at his lady's
face affects him. Emotionally similar to
Come Again but less over the top. |
Triste Espana
Soprano
Alto
Tenor
Bass
|
Four-part 15th
century Spanish lament about the loss of a prince. Sad, slow, and
beautiful. |
The King
Soprano
Alto
Tenor
Bass
Score (PDF) |
A song to
accompany the parading of the midwinter "King". |
The Owle
Soprano
Tenor
Bass
|
Cheerful and
catchy drinking song in three parts, Ravenscoft (Deuteromelia) (SG7). |
| The Sexes |
Amusing and
melodic 3-part catch on the chief ages of men and women, Purcell. |
The Silver Swan
Soprano
Mezzo
Alto
Tenor
Bass
|
A five-part
satire of a dying swan, by Orlando Gibbons 1583-1625. |
Ut Queant Laxis
PDF score
|
A plain chant
hymn in praise
of the life of St John the Baptist. Use this file to get the
notes but ignore the timing which is far too strict and plodding.
Noteworthy can't do the free timing that is used in
plainchant.
Take the time from the cantor leading your group. |
We Be Soldiers Three
Soprano
Alto
Bass
|
Three part
drinking song, Thomas Ravenscroft 1582-1635 |
Weep O Mine Eyes
Soprano
Alto Tenor Bass |
1599, John Bennet |
Wilt Thou Unkind
Soprano
Alto
Tenor
Bass
|
John Dowland
(1597) |